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Brackets, Fourteen Corners and Far from The Dance at 1-22 Bar, Huddersfield

Local young things Brackets start with Theme from Peter Gunn and sound interesting until singer Jamie Goodwin starts with a placeless accent that lacks any ring of authenticity. Not that the young lad is a poor singer just that he is looks do not match his voices and the band - playing a rapid rock - never seen to be able to decide what sort of song they want to play.

All of which tempts one to say they avoid falling into any bracket but it would be more truthful to say that as a band they lack direction. A cover of Vampire Weekend's A-Punk shows them as able imitators until accent safari begins again. After some solid if unremarkable own compositions - She's Afraid of the Dark is worth mentioning - that include a pulsing bass line that nod towards Peter Hook a King's of Leon cover sets teeth on edge and presents a band who badly need to find their own sound and play that rather than swimming around the tunes they listen to.

By contrast if there are a band in West Yorkshire with more of a firm grasp of what they want to sound like and how they want to put that sound over than Fourteen Corners then I have yet to see it. The corners are shaking off rust from six months on the sidelines but still fuzz along with an electric authenticity. Tsotsumi is back in the set and Small Northern Town is out with "the new rocker" thrown in to impressive effect adding to what is in this humble opinion the finest song book of any unsigned band in this area.

The future for T' The Corners is always the subject of speculation. What justice does the world have that these people are playing pubs and The Pigeon Detectives play Millennium Square in Leeds? Once again singer Josh Taylor pulls out from his heart for New Limbs For Old Flames and once more Luke Silcock's fingers dart around the fret board of his guitar mesmerisingly. Both join with bass man Mike Wilson to turn to face drummer Marco Pasquariello building up to May Your Days Be Aimless and as a band vibing off each other they seem as ready as any I have seen. At the start of May they play support to Blue Roses at Live in Leeds and one can only hope those who have justifiably taken that slice of the almost dead Bradford music scene to heart will pick up a torch for Fourteen Corners.

Having returned from that London Far From The Dance are Huddersfield's next musical output and the studied, precise set suggests they have not been broken by their experiences in the capital. They have a sound that swims between Manic Street Preachers and British Sea Power while draped over the kind of post-rock soundscapes that are alluring - if not popularist - on a Friday evening in West Yorkshire. Not popularist but popular and they are well loved by a home crowd. The stage craft needs some work - the length of time spent watching bands tune up seems inversely proportional to how successful they will ultimately be - but the song book is vibrant and their aim is true.