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Field Music at The Brudenell Social Club, Leeds

I once stood next to Field Music man Peter Brewis as we crossed the road at the traffic lights near Jesmond Metro Station in Newcastle. He is a short man and has a haircut which is never going to be described as fashionable. On and off stage he looks - well - not very cool.

He takes to the stage with brother David and two ancillary members and looks little different as the band skip through a catalogue of six years that culminates in the critically lauded Field Music (Measure) album. A band matured, a band who have had time to create something

Field Music at the Brudenel Social Club in Leeds is a busy night populated by a crowd a good ten years older than last week's North Eastern invasion. There is talk in the air about the achievement that is Field Music (Measure) and how organic the growth that came via two side projects - a School of Language is played tonight - and a spell in hiatus.

Perhaps it is the distinct lack of the kind of cool that record companies are so quick to pick up and drop that has allowed Field Music to craft their indie prog rock narratives. Songs like A House Is Not A Home are long standing in the canon of work and show the promise delivered with the likes of Them That Do Nothing.

At times the evening's fair starts to sound a little too similar - the band are guilty of taking the same tune out a few times as one might suspect from an outfit who have released a double album in these days of downloads - but everything on Seamonsters sounds the same and more than one of people here would sight that as an album of quality.

A thoughtful band given time to grow and bloom, to measure only to themselves.