Dalliance.co.uk

Morrissey at St George's Hall, Bradford

It is said that Morrissey's set at Glastonbury did not raise much of a note against the back drop of Beyonce but tonight Steven is on familiar ground.

Playing to an audience mostly advancing in years it might be seventeen years since the one time The Smiths front man was hosted in thus venue or this city but should he cast his eye over the faces that yodel back at the singer must feel on familiar ground.

Morrissey knows his audience and plays appropriately. Six The Smith tracks and a smattering of his modern stomp alongs are raucously received. The lighter moments of There Is A Light That Never Goes Out float over the heads of the beer guzzling sort who sing football songs between tracks.

It's difficult to recall sometimes just how insanely important The Smiths songs seemed on a personal level. They were Zeitgeist, they moved the person you were, informed the person you wanted to be.

Perhaps the gang mentality that weaves through of Morrissey's songs - and is seen in his backing band - attract the sort of element which missed that formative isolation which many years ago the Mancunian singer seemed to be all about avoiding. Morrissey is all about gangs, and leading them, and to illustrate that while he shimmers in a purple shirt the six men behind him dress identically in t-shirt emblazoned with the words Fuck Fur.

Morrissey is at his most effective when cast as the outcast leader. I Want The One I Can't Have still crackles with anti-authoritarianism and there is a stunned silence to the images of slaughter and animal cruelty projected behind Meat Is Murder.

It is there that Morrissey has risen to his full height as the reminder. The tap on the back or hand on the shoulder that recalls a person changed by time, and age, but who had nurtured dreams of something else.

Set list on Setlist.fm